{"data":{"page":{"__typename":"ElementalPage","title":"Des biens culturels fragiles \u2013 La conservation des tapisseries de C\u00e9sar","menuTitle":"Les tapisseries de C\u00e9sar","metaImage":{"width":6308,"height":4485,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Startbild_Tapisserienprojekt_Werkzeuge.png","alt":"Startbild Tapisserienprojekt Werkzeuge","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1523","__typename":"Image"},"metaDescription":null,"content":"

Quatre grandes tapisseries, mesurant chacune plus de 4 x 7 m\u00e8tres et dites tapisseries de C\u00e9sar, sont depuis pr\u00e8s de cinq cents ans la propri\u00e9t\u00e9 de la Ville de Berne. R\u00e9alis\u00e9es entre 1450 et 1470, elles constituent un r\u00e9cit en images de l\u2019histoire du g\u00e9n\u00e9ral et dictateur romain Jules C\u00e9sar.<\/p>","isPermantExhibition":false,"useElementsMenu":true,"elementalArea":{"elements":[{"__typename":"Text","id":"1127","title":null,"showTitle":false,"anchor":"section-1127","menuTitle":null,"showInMenus":false,"variant":null,"htmlText":"

C\u2019est au moment de la R\u00e9forme que les Bernois se sont empar\u00e9s du tr\u00e9sor de la Cath\u00e9drale de Lausanne, dont ces tapisseries faisaient partie. Elles ont toujours \u00e9t\u00e9 expos\u00e9es depuis la fondation du Mus\u00e9e d\u2019Histoire de Berne en 1894. Mais les textiles \u2013 et m\u00eame des tapisseries de ce format \u2013 sont des \u0153uvres d\u2019art fragiles auxquelles la lumi\u00e8re, les mouvements et les insectes nuisibles causent des d\u00e9g\u00e2ts. Depuis 2012, une \u00e9quipe interdisciplinaire s\u2019applique \u00e0 dresser le constat de l\u2019\u00e9tat de ces tapisseries exceptionnelles et \u00e0 en assurer la conservation \u00e0 long terme.<\/p>","button":{"__typename":"Link","id":"0","label":null,"isExternal":null,"href":""}},{"__typename":"Gallery","id":"1128","title":"Coup d\u2019\u0153il dans l\u2019atelier de restauration","showTitle":true,"anchor":"section-1128","menuTitle":"Coup d\u2019\u0153il dans l\u2019atelier de restauration","showInMenus":true,"variant":null,"label":"D\u00e9couvrir maintenant","button":{"__typename":"Link","id":"0","label":null,"isExternal":null,"href":""},"items":{"nodes":[{"__typename":"GalleryImagesItem","title":null,"variant":"lg","images":[{"caption":"Au dos de la tapisserie, les couleurs sont encore nettement mieux conserv\u00e9es (troisi\u00e8me tapisserie de C\u00e9sar). \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Gunnar Siedler","image":{"width":4001,"height":2730,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Cae3_Gesamtansicht_RS_klein.png","alt":"Cae3 Gesamtansicht RS klein","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1526","__typename":"Image"},"id":"485"},{"caption":"Couture de consolidation sur une bordure. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Christine Moor","image":{"width":1200,"height":800,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Tapisserien_Eindruecke_2.jpg","alt":"Tapisserien Eindruecke 2","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1100","__typename":"Image"},"id":"486"},{"caption":"Sur une table en verre, avec une lumi\u00e8re provenant du dessous, les dommages \u00e0 la tapisserie sont facilement visibles.\r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Nadine Kilchhofer","image":{"width":4719,"height":3593,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Caesar2_Abschnitt1C_Unterlicht.jpg","alt":"Caesar2 Abschnitt1C Unterlicht","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1521","__typename":"Image"},"id":"675"},{"caption":"Il faut parfois travailler par-dessous. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Maike Piecuch","image":{"width":1200,"height":800,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Tapisserien_Eindruecke_4.jpg","alt":"Tapisserien Eindruecke 4","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1103","__typename":"Image"},"id":"488"},{"caption":"Des d\u00e9tails amusants : des nuages en formes d\u2019animaux (quatri\u00e8me tapisserie de C\u00e9sar). \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":1200,"height":800,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Tapisserien_Eindruecke_5.jpg","alt":"Tapisserien Eindruecke 5","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1104","__typename":"Image"},"id":"489"},{"caption":"Le surv\u00eatement protecteur est destin\u00e9 \u00e0 emp\u00eacher le contact avec des r\u00e9sidus des pesticides qui \u00e9taient utilis\u00e9s autrefois pour le traitement des textiles. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":1200,"height":800,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Tapisserien_Eindruecke_6.jpg","alt":"Tapisserien Eindruecke 6","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1105","__typename":"Image"},"id":"490"}],"id":"256"}]}},{"__typename":"Quote","id":"1151","title":"Zitat","showTitle":false,"anchor":"section-1151","menuTitle":"Zitat","showInMenus":false,"variant":null,"quote":"Lors de la fabrication des tapisseries, on utilisait environ 200 km de fil par tapisserie. Aujourd'hui, selon la tapisserie, environ 82 \u00e0 95 % de ces fils originaux sont encore conserv\u00e9s.","label":null,"image":{"width":0,"height":0,"src":null,"alt":null,"orientation":"0","focusPointX":null,"focusPointY":null,"id":"0","__typename":"Image"}},{"__typename":"Gallery","id":"1129","title":"Aper\u00e7u des \u00e9tapes de travail","showTitle":true,"anchor":"section-1129","menuTitle":"Aper\u00e7u des \u00e9tapes de travail","showInMenus":true,"variant":null,"label":"D\u00e9couvrir maintenant","button":{"__typename":"Link","id":"0","label":null,"isExternal":null,"href":""},"items":{"nodes":[{"__typename":"GalleryItem","title":"Aper\u00e7u des \u00e9tapes de travail","id":"257"},{"__typename":"GalleryTextItem","title":"Le processus est le m\u00eame pour chaque tapisserie : constat de l\u2019\u00e9tat actuel, nettoyage, divers travaux de consolidation. Les mesures de conservation servent uniquement \u00e0 la stabilisation et les parties manquantes ne sont pas compl\u00e9t\u00e9es. Les modifications qu\u2019a connues l\u2019objet au cours du temps font partie de son histoire.","id":"258"},{"__typename":"GalleryItem","title":"Constat","id":"281"},{"__typename":"GalleryTextItem","title":"On commence par un \u00e9tat des lieux : dans quel \u00e9tat l\u2019\u0153uvre se trouve-t-elle actuellement ? Pr\u00e9sente-t-elle de v\u00e9ritables lacunes, des parties \u00e9lim\u00e9es, o\u00f9 y a-t-il des \u00e9cartements importants entre des surfaces de couleur diff\u00e9rente ? Quels sont les fils d\u2019origine et ceux des restaurations des XIXe et XXe si\u00e8cles ? Un relev\u00e9 d\u00e9taill\u00e9 est fait de chaque tapisserie, selon une grille centim\u00e9trique.","id":"259"},{"__typename":"GalleryImagesItem","title":null,"variant":"lg","images":[{"caption":"\u00a9 Mus\u00e9e d'Histoire de Berne, Maike Piecuch","image":{"width":4572,"height":4572,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Dok01_06_07R_03D_MaikePiecuch.jpg","alt":"Dok01 06 07R 03D MaikePiecuch","orientation":"0","focusPointX":0,"focusPointY":0,"id":"1107","__typename":"Image"},"id":"491"}],"id":"260"},{"__typename":"GalleryTextItem","title":"Sur la face, les couleurs ont souffert de la lumi\u00e8re. Au dos, elles sont aujourd\u2019hui encore beaucoup plus lumineuses, et c\u2019est ainsi qu\u2019elles \u00e9taient \u00e0 l\u2019origine sur la face. Sur cette photo prise durant la restauration, le dos est \u00e0 gauche et la face \u00e0 droite (troisi\u00e8me tapisserie de C\u00e9sar).","id":"261"},{"__typename":"GalleryImagesItem","title":null,"variant":"lg","images":[{"caption":"\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":2634,"height":2634,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Dok02_Cae3_VS_RS_Lichtschaden_StefanieGoeckeritz.jpg","alt":"Dok02 Cae3 VS RS Lichtschaden StefanieGoeckeritz","orientation":"0","focusPointX":0,"focusPointY":0,"id":"1106","__typename":"Image"},"id":"492"}],"id":"262"},{"__typename":"GalleryItem","title":"Nettoyage","id":"282"},{"__typename":"GalleryTextItem","title":"La poussi\u00e8re et les salet\u00e9s risquent de rendre les fibres cassantes. Un nettoyage soigneux des deux faces au moyen d\u2019un aspirateur \u00e0 filtre sp\u00e9cial permet d\u2019\u00e9liminer les particules de salet\u00e9.","id":"263"},{"__typename":"GalleryImagesItem","title":null,"variant":"lg","images":[{"caption":"\u00a9 Mus\u00e9e d'Histoire de Berne, Christine Reinecke","image":{"width":6000,"height":4000,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Absaugen_Cae3_Sauggitter.jpeg","alt":"Absaugen Cae3 Sauggitter","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1520","__typename":"Image"},"id":"493"}],"id":"264"},{"__typename":"GalleryTextItem","title":"Trois des quatre tapisseries ont \u00e9t\u00e9 lav\u00e9es au XXe si\u00e8cle dans un bain d\u2019eau distill\u00e9e. La quatri\u00e8me a \u00e9t\u00e9 confi\u00e9e en f\u00e9vrier 2023 \u00e0 une entreprise sp\u00e9cialis\u00e9e, la firme de Wit \u00e0 Malines.","id":"265"},{"__typename":"GalleryImagesItem","title":null,"variant":"sm","images":[{"caption":"Avant le nettoyage, les deux faces sont photographi\u00e9es. Cette op\u00e9ration fait partie de la documentation des mesures de conservation. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":2710,"height":1806,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/01_Slideshow.JPG","alt":"01 Slideshow","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1111","__typename":"Image"},"id":"494"},{"caption":"La tapisserie est d\u00e9roul\u00e9e sur une table \u00e0 basse pression. \u00c0 cause des r\u00e9sidus de pesticides, il faut porter un surv\u00eatement de protection. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":3024,"height":2016,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/02_Slideshow.JPG","alt":"02 Slideshow","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1112","__typename":"Image"},"id":"495"},{"caption":"On proc\u00e8de aux r\u00e9glages pour le nettoyage \u00e0 l\u2019a\u00e9rosol. Durant l\u2019op\u00e9ration, une cam\u00e9ra transmet des images \u00e0 l\u2019\u00e9cran en haut \u00e0 gauche. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":2957,"height":1971,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/03_Slideshow.JPG","alt":"03 Slideshow","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1113","__typename":"Image"},"id":"496"},{"caption":"Des buses au plafond de la chambre de nettoyage diffusent le liquide n\u00e9bulis\u00e9, qui est un m\u00e9lange d\u2019eau et d\u2019agent tensioactif. Le brouillard d\u2019a\u00e9rosol se d\u00e9pose \u00e0 la surface de la tapisserie, puis est aspir\u00e9 vers le bas par la table \u00e0 basse pression. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":2922,"height":1948,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/04_Slideshow.JPG","alt":"04 Slideshow","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1114","__typename":"Image"},"id":"497"},{"caption":"Au cours du nettoyage, on pr\u00e9l\u00e8ve r\u00e9guli\u00e8rement des \u00e9chantillons du bain d\u00e9tergent. On voit ainsi l\u2019eau se clarifier peu \u00e0 peu. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":4032,"height":3024,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/05_Slideshow.JPG","alt":"05 Slideshow","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1115","__typename":"Image"},"id":"498"},{"caption":"Les buses projettent le m\u00e9lange d\u2019eau et d\u2019agent tensio-actif. Le nettoyage de la tapisserie avec des brosses douces permet de d\u00e9tacher et d\u2019\u00e9liminer les particules de salet\u00e9 qui adh\u00e8rent aux fibres. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":2968,"height":1979,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/06_Slideshow.JPG","alt":"06 Slideshow","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1116","__typename":"Image"},"id":"499"},{"caption":"La tapisserie reste sur la table \u00e0 basse pression pour le s\u00e9chage. Elle est couverte de grands linges en tissu \u00e9ponge qui facilitent le s\u00e9chage par aspiration. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":3798,"height":2532,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/07_Slideshow.jpg","alt":"07 Slideshow","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1117","__typename":"Image"},"id":"500"},{"caption":"Au terme du s\u00e9chage et de la documentation photographique de l\u2019\u00e9tat apr\u00e8s nettoyage, la tapisserie est roul\u00e9e dans une caisse de transport ad hoc et rapport\u00e9e \u00e0 Berne. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":2996,"height":1998,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/08_Slideshow.JPG","alt":"08 Slideshow","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1118","__typename":"Image"},"id":"501"},{"caption":"Les installations de nettoyage par n\u00e9bulisation n\u2019existent que depuis les ann\u00e9es 1990. Auparavant, dans les ann\u00e9es 1950, les tapisseries \u00e9taient nettoy\u00e9es dans la cour du Mus\u00e9e, dans des bassins construits pour l\u2019occasion. Ici, la tapisserie de Trajan et Herkinbald. \r\n\u00a9 Mus\u00e9e d'Histoire de Berne","image":{"width":3605,"height":2404,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/09_Slideshow.jpg","alt":"09 Slideshow","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1119","__typename":"Image"},"id":"502"}],"id":"266"},{"__typename":"GalleryItem","title":"Consolidation","id":"283"},{"__typename":"GalleryTextItem","title":"Les op\u00e9rations de consolidation consistent avant tout \u00e0 recoudre les \u00e9cartements entre les surfaces de couleur diff\u00e9rente et \u00e0 appliquer un tissu de fond aux endroits particuli\u00e8rement fragiles. \u00c0 gauche, l\u2019\u00e9tat avant la restauration, et \u00e0 droite apr\u00e8s.","id":"267"},{"__typename":"GalleryImagesItem","title":null,"variant":"lg","images":[{"caption":"\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":1417,"height":1417,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Dok04_Cae4_Kombination.png","alt":"Dok04 Cae4 Kombination","orientation":"0","focusPointX":0,"focusPointY":0,"id":"1109","__typename":"Image"},"id":"503"}],"id":"268"},{"__typename":"GalleryTextItem","title":"Pour terminer, on coud une doublure de coton sur tout le dos. Cette doublure prot\u00e8ge contre les salissures venant par le revers et augmente la stabilit\u00e9 de la tapisserie. Un gabarit transparent permet une application r\u00e9guli\u00e8re.","id":"269"},{"__typename":"GalleryImagesItem","title":null,"variant":"lg","images":[{"caption":"\u00a9 Mus\u00e9e d'Histoire de Berne, Stefanie G\u00f6ckeritz","image":{"width":1810,"height":1810,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Dok05_Cae4_Hinterfuettern_IMG_7807_StefanieGoeckeritz.jpg","alt":"Dok05 Cae4 Hinterfuettern IMG 7807 StefanieGoeckeritz","orientation":"0","focusPointX":0,"focusPointY":0,"id":"1110","__typename":"Image"},"id":"504"}],"id":"270"}]}},{"__typename":"Text","id":"1152","title":"Video","showTitle":true,"anchor":"section-1152","menuTitle":"Video","showInMenus":true,"variant":null,"htmlText":"

Vivez de pr\u00e8s le nettoyage de la tapisserie dans notre vid\u00e9o Instagram ! (en allemand)<\/p>","button":{"__typename":"ExternalLink","id":"585","label":"D\u00e9couvrir maintenant","isExternal":true,"href":"https:\/\/www.instagram.com\/reel\/CvO2hatK4rU\/"}},{"__typename":"Gallery","id":"1131","title":"L\u2019\u00e9quipe","showTitle":true,"anchor":"section-1131","menuTitle":"L\u2019\u00e9quipe","showInMenus":true,"variant":null,"label":"D\u00e9couvrir maintenant","button":{"__typename":"Link","id":"0","label":null,"isExternal":null,"href":""},"items":{"nodes":[{"__typename":"GalleryImagesItem","title":null,"variant":"lg","images":[{"caption":"Le groupe interdisciplinaire de travail se r\u00e9unit r\u00e9guli\u00e8rement pour des discussions\r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Christine Moor","image":{"width":6457,"height":4305,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/2023TapisserienTeam-bild01.jpg","alt":"2023TapisserienTeam bild01","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1123","__typename":"Image"},"id":"505"},{"caption":"Maike Piecuch, conservatrice et restauratrice de textiles : \u00ab Peu \u00e0 peu, mais continuellement, au cours des ann\u00e9es, on vieillit avec les tapisseries, mais la diversit\u00e9 des t\u00e2ches nous fait aussi grandir. \u00bb \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Christine Moor","image":{"width":4724,"height":3150,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/2023MaikePiecuch-bild02.jpg","alt":"2023MaikePiecuch bild02","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1120","__typename":"Image"},"id":"506"},{"caption":"Stefanie G\u00f6ckeritz, conservatrice et restauratrice de textiles : \u00ab Le format, la dur\u00e9e, le nombre de visiteurs : ce projet est d\u2019une dimension encore in\u00e9dite dans ma carri\u00e8re professionnelle. \u00bb \r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Christine Moor","image":{"width":5282,"height":3521,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/2023StefanieGoeckeritz-bild01.jpg","alt":"2023StefanieGoeckeritz bild01","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1122","__typename":"Image"},"id":"507"},{"caption":"Christine Reinecke, conservatrice et restauratrice de textiles : \u00ab Les travaux de consolidation d\u2019une tapisserie de C\u00e9sar peuvent durer tr\u00e8s longtemps. Mais peu importe, on d\u00e9couvre constamment de nouveaux d\u00e9tails dans les sc\u00e8nes repr\u00e9sent\u00e9es. \u00bb\r\n\u00a9 Mus\u00e9e d'Histoire de Berne, Christine Moor","image":{"width":4751,"height":3801,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/2023ChristineReinecke-bild01.jpg","alt":"2023ChristineReinecke bild01","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1121","__typename":"Image"},"id":"508"}],"id":"271"}]}},{"__typename":"Text","id":"1130","title":"Programme de travail","showTitle":true,"anchor":"section-1130","menuTitle":"Programme de travail","showInMenus":true,"variant":null,"htmlText":"

Selon l\u2019\u00e9tat du textile, il faut compter pour la consolidation d\u2019une tapisserie un \u00e0 deux ans de travail d\u2019une \u00e9quipe \u00e9quivalant \u00e0 1,7 poste \u00e0 plein temps. L\u2019ach\u00e8vement des travaux de conservation est pr\u00e9vu en 2027. Les tapisseries seront alors pr\u00eates pour une nouvelle pr\u00e9sentation.<\/p>","button":{"__typename":"Link","id":"0","label":null,"isExternal":null,"href":""}},{"__typename":"Accordion","id":"1132","title":"Partenaires","showTitle":true,"anchor":"section-1132","menuTitle":"Partenaires","showInMenus":true,"variant":null,"items":{"nodes":[{"title":"Kanton Bern","text":"

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      - Z\u00fcrcherische Seidenindustrie Gesellschaft<\/a><\/li>\n<\/ul>","image":{"width":4000,"height":2667,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Partner\/Logo_ZSIG.png","alt":"Logo ZSIG","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1150","__typename":"Image"},"id":"111"},{"title":"Stiftung Pro Scientia et Arte","text":"
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        UBS Kulturstiftung<\/a><\/li>\n<\/ul>","image":{"width":0,"height":0,"src":null,"alt":null,"orientation":"0","focusPointX":null,"focusPointY":null,"id":"0","__typename":"Image"},"id":"114"},{"title":"Gesellschaft zu Mittell\u00f6wen Bern","text":"
        \n
        Gesellschaft zu Mittell\u00f6wen Bern<\/a><\/li>\n<\/ul>","image":{"width":4000,"height":2667,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Partner\/Logo_Mittelloewen.png","alt":"Logo Mittelloewen","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1147","__typename":"Image"},"id":"115"},{"title":"Gesellschaft zu Ober-Gerwern","text":"
        \n
        Gesellschaft zu Ober-Gerwern<\/a><\/li>\n<\/ul>","image":{"width":4000,"height":2667,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Partner\/Logo_Gesellschaft_zur_Ober-Gerwern_Bern.png","alt":"Logo Gesellschaft zur Ober Gerwern Bern","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1145","__typename":"Image"},"id":"116"},{"title":"TISCA Tischhauser Stiftung","text":"
        \n
        TISCA Tischhauser Stiftung<\/a><\/li>\n<\/ul>","image":{"width":4000,"height":2667,"src":"https:\/\/cms.bhm.ch\/assets\/Sammlungen\/Tapisserien\/Partner\/Logo_tisca.png","alt":"Logo tisca","orientation":"2","focusPointX":0,"focusPointY":0,"id":"1149","__typename":"Image"},"id":"117"}]}}],"id":"99","__typename":"ElementalArea"},"showHeaderImage":true,"id":"25","locales":[{"label":"Deutsch","locale":"de_CH","href":"\/de\/sammlungen\/tapisserien"},{"label":"Fran\u00e7ais","locale":"fr_CH","href":"\/fr\/collections\/tapisseries-de-cesar"},{"label":"English","locale":"en_CH","href":"\/en\/collections\/caesar-tapestries"}]}}}

Des biens culturels fragiles – La conservation des tapisseries de César